This is the river Blackwater at Lismore Co. Waterford.
It is the scenery from a popular walk that starts in the town and loops
back again as it passes the river.
"Rembrandt's self portrait as Saint Paul"
Size 12 x 8 inches on acid free cartridge paper.
For this work I used Derwent pencils, minen leads and Pitt graphite
on 150gm acid free cartridge pad.
This is a study of the face of Deineara from a Guido Reni
Oil on oilboard 6 x 4 inches. This started as an exercise that I wasn't
really taking seriously. I had a very small canvas and just figured I'd scribble a bit and
very quickly I became caught up in the work. Its easy of course when you have a picture of the original work by Reni to study from, so I can't actually take any credit for this. However it was alla prima and I was surprised to get some resemblance of the original without going to any great lengths. Mostly I used raw umber, burnt sienna and cadmium yellow. A very slight touch of rose madder to heighten the reds.
Another piece using the sennelier oil pastels,
as I have mentioned earlier the colors available in this medium
are just fantastic, once you have a small range of them you find it
impossible not to use them. They are a little messy though so I recommend
using something to move them around the board. A palette knife or rubber
tipped mover should do the trick.
My latest Caravaggio study is taken from," The Death of The Virgin".
Right now I'm thinking the art of drawing is mostly about making a series of mistakes that are adjusted to eventually form a complete picture. You lay your marks on the page and leave them for a while until you need to adjust them, then you correct them with new marks and continue again until you need to adjust them again, on and on, mark adjust, mark adjust, until eventually the picture begins to emerge... It seems that no matter how bad it is in the beginning its still possible to drive the work towards where you want it to go by being willing to accept each mistake and rectify it..
This is good I think, because even a pencil mangler like me can hope to improve if all my drawings can be the result of corrected mistakes.
..another quick plein air, this time, the entrance to Achill Sound.
The channel here is quite narrow and so the racing tide whips
along with considerable fury. It is quite a dramatic spot
A plein air of a sunny day at Dugort, Achill
What a difference a day makes, the day before when I painted here
it was really showery and a little cold, but today its a nice warm
clear day. :)
This is a study of a work byHelene Schjerfbeck called Portrait of a man. The medium is Sennelier oil pastel on oil canson paper. Schjerfbeck was a Finnish painter who died in 1946 known mostly for portraits and less for landscape. I really liked this painting when I saw it so I had to reproduce it as an exercise.