Study of a Velazquez self portrait in ballpoint pen, sandpaper & Bleach

Ballpoint pen, sandpaper & bleach on recycled card  30 x 20cm

Here is a study from a self portrait by Velazquez. For this piece I first scribbled

out the main portrait with my ink pen, I then sanded the whole piece with a medium grade

emery cloth and used a hard eraser to knock back the lighter tones. After some adjustments

with the pen I then proceded to brush with household bleach the areas where I wanted to get 

the highlights. It's a messy approach but I thought it would be worth a try and for the materials

I used it seemed to come out ok. The whole work is done on a piece of recycled white card used
for packaging which I found much easier to sand than the normal A4 cartridge sheets I use from
time to time. Of course this is not the first piece of artwork I have created from mediums which
are all  destined to become rubbish :)

Thanks for looking :)

Study of Caravaggio's "Doubting Thomas" with disposable pen

  Ball point pen on recycled paper 12 x 8

I started this the other night while with the Cork sketch group at their drink and draw event

 and finished it on returning to the studio. I felt attempting a Caravaggio study would have

 been a bit of a challenge with the,"ten for a penny" ink pens I am using at the moment but 

they seem to be more than able. Any reluctance on my part to do this was based on the fact 

that there is no adjustment allowed so I would have to look at my own mistakes when finished. 

But that's all part of the process and I think I got away with it, for the most part. I do like the 

results though, because the finished scribble gives me a good understanding of where I
might have made better decisions with my pen strokes and it also teaches me to accept the
limits of my ability with the media.

Thanks for looking :)

Oil study of detail from a Guido Reni.

oil on oilboard 34 x 18 cm

This is a study of the face of Deineara from a Guido Reni
Oil on oilboard 6 x 4 inches. This started as an exercise that I wasn't
really taking seriously. I had a very small canvas and just figured I'd scribble a bit and
very quickly I became caught up in the work. Its easy of course when you have a picture of the original work by Reni to study from, so I can't actually take any credit for this. However it was alla prima and I was surprised to get some resemblance of the original without going to any great lengths. Mostly I used raw umber, burnt sienna and cadmium yellow. A very slight touch of rose madder to heighten the reds.

Thanks for looking :)